Tornados: The Album enters the Billboard 200 (dated Aug. 3) at No. 7. It’s the primary country-dominated soundtrack to a theatrically-released movie to make the highest 10 on the all-genre chart since Nation Sturdy, which reached No. 6 in January 2011.
“Twisters” is just the second nation soundtrack from a theatrically-released movie to debut within the high 10, after Hannah Montana: The Film, which opened at No. 2 in April 2009. The album, which reached No. 1 three weeks later, featured star Miley Cyrus’ pop/nation crossover hit “The Climb.”
Different country-dominated movie soundtracks to achieve the highest 10 embrace City Cowboy (No. 3 in 1980), George Strait’s Pure Nation (No. 6 in 1992), Hope Floats (No. 4 in 1998), Coyote Ugly (No. 10 in 2000), O Brother, The place Artwork Thou? (No. 1 in 2002) and Stroll the Line, from the Oscar-winning Johnny Money biopic (No. 9 in 2006).
Twisters has already climbed larger than the soundtrack to the unique Tornado, which peaked at No. 28 in 1996. That Warner launch was principally rock and featured such artists as Tori Amos, Van Halen, Crimson Sizzling Chili Peppers and Stevie Nicks & Lindsey Buckingham.
The brand new album, launched on Atlantic, options such established nation artists as Luke Combs, Miranda Lambert, Kane Brown, Lainey Wilson, Shania Twain and Jelly Roll, in addition to such rising stars as Bailey Zimmerman, Breland and Tanner Adell. (Notably, each albums got here from the Warner Music Group household of labels.)
Twain additionally had a observe (“No One Must Know”) on the Tornado soundtrack. She was one of many few non-rock artists on board for that album, together with okay.d. lang and Alison Krauss & Union Station. On the brand new album, she groups with Breland to carry out “Boots Don’t.” She is the one artist to look on each albums.
The arrival of Twisters ends a notable drought in current months for soundtracks. Three weeks in the past, the highest-ranking soundtrack on the Billboard 200 (Barbie: The Album) was means down at No. 172. That marked the primary time that the highest-ranking soundtrack on the Billboard 200 had ranked that low within the greater than seven years that the Billboard 200 and the Prime Soundtracks chart have adhered to the identical chart system.
Since Feb. 11, 2017, each charts have ranked the preferred albums of the week within the U.S. based mostly on multi-metric consumption as measured in equal album items, compiled by Luminate. Models comprise album gross sales, observe equal albums (TEA) and streaming equal albums (SEA).
Twisters is the primary soundtrack from any style to look within the high 10 since Barbie: The Album (which, like Twisters: The Album, was launched on Atlantic) ended its high 10 run in September.
This marks the primary time that no soundtracks appeared within the high 10 within the first six months of a calendar 12 months since 1987. The primary soundtrack to make the highest 10 that 12 months (Beverly Hills Cop II) did so within the subject dated Aug. 1.
There are solely two different years since 1956 – when the Billboard 200 bowed as an everyday, weekly characteristic – the place no soundtracks appeared within the high 10 within the first six months of the 12 months. In 1972, the primary soundtrack to make the highest 10 that 12 months (Curtis Mayfield’s Superfly) did so within the subject dated Oct. 7. In 1976, the primary soundtrack to make the highest 10 that 12 months (Led Zeppelin’s The Tune Stays the Identical) did so within the subject dated Nov. 6.
Soundtracks have been an enormous a part of the album market because the introduction of the Billboard 200. On the primary chart – March 24, 1956 – soundtracks to Rodgers & Hammerstein musicals held two of the highest three spots. Oklahoma! and Carousel have been No. 2 and No. 3, respectively. (A non-soundtrack, Harry Belafonte’s Belafonte, was No. 1.)
Not less than one soundtrack appeared within the high 10 each week from that first chart on March 24, 1956 via Dec. 22, 1958. Within the mid-Nineteen Sixties, there was a good longer profitable streak. Not less than one soundtrack appeared within the high 10 each week from July 25, 1964 via June 10, 1967.
Twisters ranked No. 1 on the boxoffice final weekend, however falls to No. 2 this weekend behind the brand new Deadpool & Wolverine. The unique Tornado was No. 1 for 2 weekends in Might 1996. Isaac Chung directed Twisters, which stars Glen Powell and Daisy Edgar-Jones. Jan de Bont directed the unique Tornado, which starred Helen Hunt and the late Invoice Paxton.
