Home MUSIC Billie Eilish’s ‘Hit Me Laborious And Delicate’ Hits One other No. 1 In Australia

Billie Eilish’s ‘Hit Me Laborious And Delicate’ Hits One other No. 1 In Australia

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Billie Eilish’s Hit Me Laborious And Delicate (by way of Interscope/Common) leads an all-female prime three on Australia’s albums chart.

The U.S. pop phenomenon holds prime spot on the ARIA Chart, printed Friday, June 14, forward of Taylor Swift’s former chief, The Tortured Poets Division (Common), unchanged at No. 2.

The rostrum is accomplished by British artist and producer Charli XCX, whose Brat (Atlantic/Warner) bows at No. 3. Brat is her third prime 10 look in Australia following 2019’s Charli, which peaked at No. 7, and 2022’s Crash, which led the body for one week.

Additional down the checklist, Rock and Roll Corridor of fame-inducted band Bon Jovi lands its 14th prime 10 album in a row with Endlessly (Island/Common). It’s new at No. 4. The New Jersey natives have led the ARIA Chart with 10 titles, putting them equal sixth place on the all-time checklist alongside Rap God Eminem and legendary Australian singer John Farnham.

There’s a timeless really feel to this week’s ARIA Albums Chart. U.S. pop singer and former Australian Idol choose Meghan Trainor opens at No. 23 with Timeless (Epic/Sony), whereas Canadian producer and artist Kaytranada begins at No. 42 along with his very personal Timeless (RCA/Sony).

Over on the ARIA Singles Chart, Eminem’s new monitor “Houdini” (Interscope/Common) holds at No. 1 for a second consecutive week.

Sabrina Carpenter continues her sizzling streak along with her former No. 1 “Espresso” lifting 5-2, and her followup “Please Please Please” (each by way of Island/Common) coming into at No. 4, for the week’s prime debut.

Shaboozey’s nation tune” A Bar Tune (Tipsy)” (by way of Empire) is unchanged at No. 3.

The best-flying homegrown monitor belongs to Australian singer and producer Cyril with “Stumblin’ In” (Spinnin’ Data/Warners), unmoved at No. 32. The groovy minimize interpolates the Suzi Quatro and Chris Norman tune from the late ‘70s, which was co-written and produced by one other Australian, Mike Chapman.  

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